Showing posts with label Asakusa Jinta. Show all posts
Showing posts with label Asakusa Jinta. Show all posts

Saturday, 24 October 2009

In The City 2009 - Day Three

Things That I have Learned



Paul Hardcastle is still around and is recording under various disguises, one of which is The Jazz Masters, a smooth jazz combo that does particularly well in America. Their first album was released for Motown, flopped, and the second album was released elsewhere. It became an RnB number one album. Motown phoned him up asking him why he hadn’t given them that album. Well, he did offer…

If you get a room filled with internet pioneers, eight out of ten of them will be wearing intentionally geeky glasses. I don’t know if that is a good thing or a bad thing.



Joe Cohen is the founder of Seatwave, a ticket exchange site that looks better than Scarlett Mist but without the desire to prevent ticket touts (hey, the community should stop them) or selling tickets at face value only. He is a great fan of Deepak Chopra, the lifestyle/business guru brilliantly lambasted by Francis Wheen in his books and columns. In fact I blame Wheen for making me suspicious of anybody who follows Chopra. Sorry Joe…

Alex Ljung (founder of soundcloud.com) doesn't buy cd's, but he does enjoy collecting vinyl.

Want to get on Hype Machine? Don’t bother asking until you’ve set up your blog and regularly post stuff for at least three months. Keep posting those tracks and build your fan base. Do not post full albums. Then ask. Hype Machine link to over a thousand blogs and they can afford to be picky about who they monitor.

Funny, Hype Machine clearly links to tracks that shouldn’t be available. They should be the baddies that Sony are going out of their way to close down. And yet they don’t. Is that because Hype Machine are now closely linked to I-tunes and between 10-20,000 tracks are purchased via their site every week? It’s almost as if there is something behind the theory that if you work well with your target audience and don’t worry too much about illegal downloading you can build enough trust to make people buy your stuff anyway.

Another example. The most popular Moby track sold on I-tunes is also the one you could download for free on his website.

During the last Nine Inch Nails tour Trent Reznor sent out a tweet offering a thousand tickets for 800 dollars each where fans could have dinner with him and the band. All the money raised from these tickets would go to charity. They were sold within an hour. Trent made more money on the deluxe version of his last album than he did on his last official release via a major label. He also gave away the album for free. It’s almost as if there is something behind the theory this if you work well with…

Sean Adams is gay for Trent Reznor.

Andrew Collins can do a pretty decent Bruce Forsyth impression just by talking normally.



The last time John Niven came to In The City (back in the late nineties) he spent three days in a hotel room doing coke and refusing to go to any of the events. He did that in the company of a now important employee at Sony. I am not saying which important employee of Sony.

Pete Frame’s Rock Family Trees are back! The Family of Rock is a new organisation dedicated to expanding on Frame’s original rock family trees. The driving force behind this are the producers The Boilerhouse Boys. Expect more soon.



Here is a picture of Pete Frame sitting next to Peter Hook. Do you think they were made to sit next to each other or did they work out the pun themselves?

Peter Hook still loves Bernard Sumner. One of the proudest moments Hook ever had was when New Order snuck into a Spandue Ballet gig in Paris. Hook was watching from the side of the stage thinking “This is shit.” He then noticed water hitting Tony Hadley. He followed where the water was coming from and spotted Barney, cock in hand, pissing on the band from the rafters. He will never stop loving Bernard Sumner.

There will be a sequel to Peter Hook's Hacienda book. It will concentrate on Joy Division. The idea is to make a trilogy of books, with the final one concentrating on New Order and beyond.

DJ Edu has one of the best shows on 1Xtra and you should really take time out to listen to it.



If you get a very earnest moderator a talk about the African music scene can be very boring. Thankfully the right panellists can prevent that from happening.

The problem with the way African music is perceived in the UK can be perfectly shown by using the example of Guy Morley and African Soul Rebels. Fair play to Guy for attempting to create a show where the cream of Africa play in the UK. But why play The Bridgewater Hall, home of the Halle Orchestra? Why not The Warehouse Project or The Apollo Theatre? You know, places where you can dance or mosh. Don’t you end up putting people off who otherwise may have enjoyed it and just get the type of people who think they are clever and superior to others? You know the type, buy vintage clothing and only shop in ethical stores. Twats. Get African rock bands to play rock gigs and leave the snobs to muse on their organic ham and shitty art exhibitions.

Under the right set of circumstances, you can’t help but like Johnny Jay (local music entrepreneur) and John Robb.

The Most Aptly Named Band Award Goes To

The Ray Summers



Brilliant Scottish group who make west-coast psychedelic tinged rock stompers that remind you of good times and the better bits of The Super Furry Animals and Idlewild all rolled into one. Singer looks a bit of a twat, but what can you do?

The “Seriously, Are Front Magazine Trying To Groom Teenage Girls?” Award Goes To

Front Magazine and The Futures



Front Magazine is a porn mag for cowards. It specialises in trying to get teenage girls to appear in their mag with less clothes on than they would wear on a average night out. For this they give the girls a relatively tiny amount of money and the hope that they will get better paid jobs later or fuck a footballer or a DJ or something. To aid them in their hunt for girls of a certain age/mentality Front sponsor nights where perfectly decent pop-metal bands play perfectly acceptable pop-metal songs to a mainly female, teenage audience. The music is fine, but isn’t the concept dangerously close to paedophilia?

The “Ah, So Not All UK Hip Hop Is Good” Award Goes To

The Real Dolls

Hm. Ah well. Maybe they’ll go pure pop and make a record as good as Junior Senior. Their DJ was good, mind…

The “I Bet They Sound Much Better On Record Than They Do Live” Award Goes To

Taxi Taxi!

Two twin sisters, harmonies, sparse instrumentation, songs. Pity they were a bit out of time with the harmonies and the whole songs bit. But I bet on a good day and in a studio they sound fantastic.

The Late Eighties Weren’t A Completely Terrible Time For Indie Award Goes To

The Dutch Uncles



They may list their influences as being Steve Reich, Talking Heads and King Crimson in the little black book you get given as a delegate, but they equally fit in with the music of The Fall and The Wedding Present. Good. The less Manchester bands that sound like Oasis or Elbow or Doves the better. Don’t get me wrong, I love Elbow and I love Doves- I just don’t want them to be the new template that all Manchester bands clone themselves upon. Give me Egyptian Hip Hop and this lot anytime. To some they may be marmite bands, but better a thousand marmite bands than one more Pizza Express band that makes you happy in their familiarity.

The So Good I Stayed For The Whole Damn Set Award Goes To

Asakusa Jintu



Just phenomenal - although fans of punkskapsychobillyhippieeastend Japanese bands may tell me that they aren’t the best in their field. If so tell me more. Their may be a video for this perfomance appearing on line very soon…

The I Can’t Be Bothered With Award Goes To

The Heartbreaks

See The Dutch Uncles rant and concentrate on Oasis. And think Northern Uproar.

The Last Photo My Camera Took Before It Died Award Goes To

Tigers That Talked



So I don’t have a better photo. Sorry. Now, given the rant I had above about Elbow clones, you may not expect me to fall in love with a band that are described in the lbb as “hints of The Cure, Elbow and Ryan Adams influenced as much by Ennio Morricone as they are the ramshackle folk of Arcade Fire.” You would be right. But they are worth more of your time and further investigation.

The “Sadly I Didn’t Get To See” Award Goes To

The Drums
The Nacional
Beatbox Fozzy
Jessica 6
Kong
Rogues
Mount Kimbie
White Sunday
Killaflaw
Your Twenties
Lost Knives

And loads of others. But I’ve heard demos and other people went to see them and so should you! Go out, support bands and enjoy them while you can. The scene is more diverse and interesting than ever, go and find it.

Tuesday, 20 October 2009

In The City 2009 - Day One

Never, ever, loose a wire that connects your camera to your computer. If you do you will spend half a day looking for something you don’t have and another half hoping that Currys have a replacement in stock.

Somebody has misspelt Everything in the ITC logo.


Things That I have learned

The lack Andrew Loog Oldham and a crippling recession means that less people are willing to attend a music convention in Manchester. Attendance appears to be down this year compared to last year. It is certainly true that big execs from the major record companies will not attend. It clearly shows the difference between new media and the old record industry. The new faces are fresher and more willing to listen to and debate about p2p, changes in copyright law and ways to make money in a new world. Older faces are more sceptical and have a protectionist edge towards the whole affair. And quite rightly so. They’re defending their livelihood and after years of screwing the people they were supposed to work for it is understandable if they are cautious about a new group of people they perceive to be just as corrupt as they are.

There is a lot of talk about the record industry and the BPI needing to change the way they are dealing with pirates. None of them are here to listen.

For an artist to earn the equivalent of one download sale via Spotify streamlining, their track needs to be streamed between 150-200 times.

Spotify is currently losing $10,000,000. A month.

The Pirate Party have a proposal that copyright for new material should only last for five years. It is not a popular proposal. A quick chat with Rick Falkvinge, Chair and founder of The Pirate Party, suggested that they are willing to be flexible about this and find a compromise.

Sean Adams, the founder of Drownedinsound.com has very white trainers.



Anthony Volodkin has three full time employees and a couple of people part time. He successfully runs a profitable site called Hype Machine. Hype machine make money. I repeat, they make money. Not a bad thing, but the fact that a web site making money is so rare that I thought that it needed to be repeated.

There is a new documentary coming out in the new year about Creation Records. Mark Gardener (ex-Ride) is helping to arrange a series of live events to where the film will be shown.

A former artist on Creation Records fell in love with a young Asian woman and they ran away to get married. A group of angry Asian men turned up at Creation Records demanding to know where the lovebirds were. “This is where he lives! Tell us where they are now!” The tension between staff and the invaders increased. More angry young men arrived. A fight ensued. This was the second time Noel Gallagher turned up to Creation Records office.

Steve Lamaq was in New York with Therapy? and was stumbling drunkenly out of a bar with them when they fell down in front of a limousine. Out of the car came Alan McGee, a model on either arm. “Alan. What the fuck are you doing here?”
“I’m going to Madonna’s after-show party.”
Steve wrote this up in NME with the end line, “He’s done well for himself, eh readers?”
Alan McGee had the paragraph cut out, blown up and hung in a frame behind his desk at Creation.

I Think The Following Artists Were Shite Live

Ou Est Le Swimming Pool



That is all. They were rubbish live and quickly had the crowd either leaving Night and Day or talking to each other.

They Were Blown Out Of The Sky By

The Cordelier Club

A brother/sister duo who have the perfect pop sound. Fresh and breezy, like the best of Little Boots, Florence and The Machine and Girls Aloud all rolled into one. Pity I didn't get a photo.

The World Will Learn To Love

Egyptian Hip Hop


An average age of 17 and sound like a combination of The Horrors, The Klaxons and your new favourite band all rolled into one.

You Can Rock Out To

Cars On Fire

Big riffs. Loud guitars. Rock Action. No photo.

You Can Also Rock Out To

The Gallops



Like an instrumental combination of Late Of The Pier and Electralane, but heavier. Much, much heavier.

You Will Freak Out To

Asakusa Jinta

Punk, ska, swing, and more energy than a thousand fleas. If you get a chance, go and watch them and have fun.

The Truly Incredible New Sound Award Goes To

Tek-One



Fucking Hell. Techno beats, Nintendo-core and metal aggression done with an incredible precision. Especially impressive as there are so many changes happening in the music they sound like it’s been recorded after they’ve been awake for a week on energy drink while playing X-box and PS3 at the same time.

Great Music, Terrible Singer Award Goes To

Dieter And The Gadabouts



Fine funky music, worse singer all night

Nice Bloke Of The Year Award Goes To

John McClure



A solo acoustic set, with friendly banter and sing-a-long tunes. A reminder that he’s released one of the more underrated records of the year. Maybe all the people who downloaded it and liked it should now go out and buy it. Or stream it on Spotify 1500 times…