Wednesday 9 December 2009

Andy J's Top 3 Remixes of 2009

As 2009 draws to its conclusion, it's the time of year when everybody tries to decide their favourite album, their favourite single, their favourite film, or perhaps even their favourite version of A Christmas Carol. My thing is remixes. This is my top 3 for 2009....


3: Miike Snow - Black And Blue (Caspa Remix): 2009 was the year where dubstep went overground and indeed woomb woombing free at many of the UK festival grounds. Although it was largely Skream who was responsible thanks to his eventually ubiquitous remix of La Roux's "In For The Kill", it was fellow dubstepper Caspa whose remix of Scandinavians Miike Snow that really performed the magic trick - it just sounds better than the original.

2: Oasis - Falling Down (A Monstrous Psychedelic Bubble Mix by Amorphous Androgynous): who would ever think that Oasis would make a chart of cutting edge music. Even in their prime, it would be either a Gallagher brother or a madman (perhaps much the same thing) that would describe their music as revolutionary, but thanks to the freaky-stylings of Amorphous Androgynous (better known as The Future Sound Of London), over 22 glorious minutes Oasis finally sounded if not relevant then certainly interesting. Of course they couldn't top this - this is the real reason behind the disbanding for sure.

1: Saint Etienne - Foxbase Beta (Richard X): difficult what to say here as Richard X and Saint Etienne set themselves an uphill challenge - how do you improve upon what is rightly viewed as a classic without ruining the memory completely. George Lucas should take note. Foxbase Beta captured Foxbase Alpha's original London setting and jetted it over to a sunset beach in Ibiza. Around 1987. There is not a bad remix in the set, and the additional quirks of Beta set it apart in a way that neither fades nor tarnishes the original. A triumph.

1 comment:

  1. Speaking of favourite versions of 'A Christmas Carol'.... http://24christmascarols.blogspot.com/

    Yes, congrats to FSOL there for making Oasis sound their most listenable for more than a decade. That really is no mean feat.

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