A very assured debut from Ms Moss and her varied collection of "borrowed" musicians. 'First Love' was at least two years in the making but, due to taking time over her art, this love will not be her last.
Leaving an even bigger gap between albums than that between the huge 'Fat of the Land' and the disappointing 'Always Outnumbered...', Liam, Keith and Maxim took a leaf out of the stadium dance of Pendulum, reverted to their rave roots and were soon back at the top of the charts and many festival bills.
Leaving their native Yorkshire for the Seattle home of their grunge heroes, 'The Golden Spike' saw Sky Larkin's native grit and energy transformed into full-on, driven college rock. With American acts paying tribute to British guitar legends all over the place, here was one band doing the opposite to great effect.
Delivered two years after their debut, this Australian four-piece introduced a poppier and simultaneously grandiose element to their sound with the results sometimes mellow, sometimes enthralling but always entertaining.
While their debut 'Street Horrrsing' was justifiably acclaimed, it was a mere hint towards where these two Londoners were going with their sound. With legendary producer Andrew Weatherall on board, 'Tarot Sport' is one of the most rivetting rides you'll take all year - sometimes like witnessing an Andes pan pipe band caught in an electrical storm.
Slammed perhaps unfairly into a large sack marked 'similar' along with Little Boots and Empire of the Sun, Passion Pit managed to push the US dream pop envelope handsomely in 2009 thanks largely to the distinct vocals of Michael 'helium junkie' Angelankos.
Following the slightly cheesy lead of Pendulum, 2009 was the year that drum 'n' bass returned to the nation's consciousness with a bang. Sub Focus aka Nick Douwma proved on this self-titled effort that he isn't afraid of delivering a big sound that snatches influences from all over - be they italo-house, dubstep, breakbeat rave or straight out of Pendulum's own book cf. 'Rock It'!
Despite being considered "too heavy for indie fans, too indie for metal fans and too mental for everyone else", Future of the Left combined natural aggression with good humour to bring a broad smile to the face of every one of their niche market - and many more otherwise.
Gruff, gravelly, Gram Parsons-esque alt. country came this year from Matador's Cave Singers and a self-referential album title. Taking blues as a starting point and working in the finer points of various musical cultures, they produced one of this summer's most well-rounded LPs.
Having long since perfected their blueprint of "somewhere between Phil Spector and the Jesus and Mary Chain", The Raveonettes followed up the disappointing 'Lust Lust Lust' by injecting some much needed pop sensibility back into their record. The likes of 'Bang!' saw the Danish duo at their most accessible yet.
Picture Emiliana Torrini getting together with Modest Mouse, throw in a lot of fuzzy bass and the occasional abrasive guitar and you're nearing 'Actor' by former Polyphonic Spree and Sufjan Stevens collaborator Annie Clark. These warm, fuzzy, lo-fi sounds backed up by a full orchestra led to many falling in love with St. Vincent this spring.
One of our hot tips in January delivered one of the best dance albums of the year this August when Bastian Heerhorst's potty-mouthed, rave-obsessed act took the sound of sweaty Hamburg dance clubs direct to your living room and then refused to leave until the early hours of the morning.
Just as Stereolab called an "indefinite hiatus", Nottingham's The Soundcarriers made themselves available to step into their elaborate footwear. 'Harmonium' seemed less a tribute to the lesser-used instrument than a nod towards krautrock, 60's psychedelia, Lee Hazlewood and obscure library music.
Likened to Mercury Rev's timeless 'Deserters Songs', 'Noble Beast' became Andrew Bird's fifth album and brought his unique combination of out there jazz and modern rock to a greater audience. The instrumental 'Brilliant Creatures' was a purely voluntary joint purchase which many salivating fans took up.
The ever-dependable Doves released their fourth LP after a brief break and announced with it a love for Vangelis and Kraftwerk which was reflected in the album including the giveaway track 'Jetstream'.
The improbably named Scots released their debut LP a full six years after forming at an Edinburgh high school wearing the influences of labelmates Twilight Sad and Frightened Rabbit squarely on their sleeves - not to mention their shared love of Scots heroes Biffy Clyro.
Described by Andy J back in February as a contender for album of the year, 'Join the Q' makes it through its sheer disregard for genre - mixing rock, metal, breakbeat, hip hop, drum 'n' bass and a rare vocal from Faith No More's Mike Patton into an eclectic mix.
With the dust from the release of last year's 'Limbo, Panto' barely settled, the Lake District's finest upped the stakes considerably with a smart, bold and ingenious piece of work. That's before you even consider Hayden Thorpe's unique and impressive falsetto.
The oxymoronic name aside, what isn't there to love from a band featuring members of Bright Eyes, My Morning Jacket and M.Ward? This late addition to the year's albums prove there can be truly great output from the rather sadly resurrected concept of the supergroup.
This Edinburgh band have gradually worked their way up through various competitions, showcase sets and limited edition singles releases. In 2009 the seven-piece released their debut album through the respected 4AD label bringing their upbeat and decidely Celtic take on the indie-folk sound to a greater audience.
Former Roc-A-Fella Records co-owner Damon Dash is the mastermind behind this rap-rock collaborative LP. The featuring artists read like a who's who of credible hip hop with everyone from Pharoahe Monch and Mos Def to Q-Tip and the Wu-Tang Clan lending vocal support.
London three-piece Filthy Dukes achieved that most difficult of things this year - a credible electronic dance album which stands up over the course of two sides of heavyweight vinyl. Whether the punchy Depeche Mode pop of 'Elevator' or the chilling soundscapes of 'Somewhere at Sea', the music remained multi-dimensional.
Never let it be said that we don't look after our own at Culturedeluxe. Late 2009 saw the release of our popular scribe Keith Haworth's first outing as The Protagonist! and his first appearance in the end of year poll voted for by "his peers".
Although recorded and readied for release by his former label, the fiercely pop-orientated Fascination who apparently wanted to market Steel as a new Mika, 'Moon Rock' sat on the shelves for two years before a labelless Steel decided to release it himself. We're glad he did as sugar-coated pop and extravagant pomp hasn't sounded this good since Freddy Mercury's heyday.
At the turn of the year the former Auteurs frontman was touring the nation's bookshops confounding listeners with his self-effacing charm punctuated by caustic passages of his book 'Bad Vibes'. Returning to the studio for a double LP, he prove that neither his lyrical ability nor his ear for a tune have left him.
County Kildare's finest survived the loss of founder member Brian Crosby and released their third LP this year which impressed fans on both sides of the Atlantic, not least fans of US TV show 'One Tree Hill' on which the track 'Light Catches Your Face' made an appearance.
More than yet another ensemble folk-rock band with ambitions of being the next Arcade Fire, Fanfarlo coupled their mature, multi-instrumental sound with the incredible offer of downloading it for a mere dollar from their website - now that just makes great financial sense!
Or the latest in a very long line of Jack White-led supergroups. Where the Raconteurs lacked a certain ardor, the introduction of Alison Mosshart from The Kills and Queens of the Stone Age guitarist Dean Fertita gave The Dead Weather the bite that some of White's previous dalliances have lacked.
Proving that the Granite City has, and always has had, more to offer than Annie Lennox and The Shamen, and that Aberdeen's proximity to Scandinavia does indeed have an effect on the hardness and the severity of its music. The XCerts' debut channelled the band's live aggression handsomely, often showing off a surprisingly tender side too.
Now officially Lickless and somewhat short on Hollywood roles, Lewis teamed up with a new producer (The Mars Volta's Omar Rodriguez-Lopez) for an album heavily-influenced by the best of recent alternative rock.
To some Philip Jeays is a natural successor to Jacques Brel and the smoky solliloquies and string-laden laments of 'London' only serve to back this up. For an act best appreciated live, this record does stand up well to repeated listens.
Sadly an extracurricular project with little fanfare, this collaboration between Gravenhurst's Nick Talbot and Guy Bartell was both one of the most interesting and intelligent collections of music to be released this year. With reference points as far-removed as Kraftwerk, Roy Budd and The Strokes, this was a krautrock-soaked collection to keep returning to.
With a winning combination of Wilco-style country rock peppered with volcanic bursts of noise, My Sad Captains helped fly the flag for a muted London indie scene in 2009 with a sound often beautiful, often melancholic but always enjoyable.
After taking an unusual seven year break between their first EP and this debut long player (due to arguments over how they should sound during which they split back into ModeSelektor and Apparat), Berlin's Moderat finally unleashed this accomplished IDM debut this year.
Featuring former man from UNKLE Richard File and former Queens of the Stone Age / Mark Lanegan collaborator Wendy Rae Fowler, this debut album cleverly saw dance and rock music clashing to great effect. Using the drums as a lead instrument, this record frequently brought back flashes of Portishead at their best - praise indeed.
The prolific Will Oldham struck again in March, this time in an unusually upbeat mood. Layer upon layer of lush instrumentation provided a fitting backdrop to Oldham's rootin' tootin' songwriting with impressive choral swoops and pedal steel.
The former chart-toppers entered the "difficult third album phase" with both confidence and a new celebrity producer Josh Homme. Not as immediate as either of their first two offerings, 'Humbug', for those who let it, was instead a work full of majestic subtlety and stands up with their best work - albeit after three or four listens.
The stock of Kilsyth's finest continues to rise with a real progression from their 2007 debut on this sophomore LP. Exploring darker themes and experimenting with atonal soundscapes, 'Forget the Night Ahead' was lauded by pretty much everyone who heard it.
Long time collaborator John Parish was given equal billing again for the sequel to the pair's 1996 LP 'Dance Hall at Louse Point' on an album surprisingly described as a low key "diversion" for Harvey. Conversely it became one of her most enchanting and beguiling releases in recent years.
Disco became achingly cool for the first time ever this autumn with a record which owed a real debt to the glitzy late 70's boom of Abba, Blondie while simultaneously throwing in the classic songwriting sheen of Neil Diamond and James Taylor. Very much a fun record at a time when the whole damn world needs cheering up.
51. Julian Casablancas - 'Phrazes For The Young'
52. Them Crooked Vultures - 'Them Crooked Vultures'
53. Baddies - 'Do The Job'
54. Darker My Love - '2'
55. B>E>A>K - 'B>E>A>K'
56. Titus Andronicus – 'The Airing of Grievances'
57. Royksopp - 'Junior'
58. Willie Isz - 'Georgianvania'
59. Dirty Projectors - 'Bitte Orca'
60. The Von Bondies - 'Love, Hate and Then There's You'
61. The Galvatrons - 'Laser Grafitti'
62. Clint Mansell - 'Moon OST'
63. The Juan MacLean - 'The Future Will Come'
64. Camera Obscura - 'My Maudlin Career'
65. The Silent League - 'But You've Always Been The Caretaker'
66. Major Lazer - 'Guns Don't Kill People Lazers Do'
67. Rebotini - 'Musical Components'
68. Miike Snow - 'Miike Snow'
69. Two Fingers - 'Two Fingers'
70. Euros Childs - 'Son of Euro Child'
71. Grizzly Bear - 'Veckatimest'
72. Air - 'Love 2'
73. The Phenomenal Hand Clap Band - 'The Phenomenal Handclap Band'
74. Jahdan Blakkamoore - 'Buzzrock Warrior'
75. Boys Noize - 'Power'
76. Morrissey - 'Years of Refusal'
77. The Last Dinosaur - 'Hooray! For Happiness'
78. Ryan Driver - 'Feeler of Pure Joy'
79. Seasick Steve - 'Man From Another Time'
80. Isis – 'Wavering Radiant'
81. Dizzee Rascal - 'Tongue 'n' Cheek'
82. Mastodon - 'Crack The Skye'
83. M.Ward - 'Hold Time'
84. Version Big-fi - 'Crux/Dub Collide Hybridize'
85. The Slew - '100%'
86. Felix - 'You Are The One I Pick'
87. There Will Be Fireworks – 'There Will Be Fireworks'
88. Venus International - 'Pléyades'
89. The Cribs - 'Ignore the Ignorant'
90. Revolting Cocks - 'RevCo. Sexo-Olympico'
91. Bob Dylan - 'Together Through Life'
92. Sean Bones - 'Rings'
93. Steel Panther - 'Feel The Steel'
94. Cornershop - 'Judy Sucks A Lemon For Breakfast'
95. Andrew Weatherall - 'A Pox On The Pioneers'
96. British Sea Power - 'Man of Aran'
97. The Little Kicks – 'The Little Kicks'
98. Cats On Fire - 'Our Temperance Movement'
99. Raekwon (ft Ghostface Killah) - 'Only Built 4 Cuban Linx...Pt II
100. Heads We Dance - 'Love Technology'
2008 - Eine Kleine Nacht Musik - 'Eine Kleine Nacht Musik' (Modular)
2007 - Justice - '†' (Because)